sophiaserpentia: (Default)
Something struck me about Iain Banks's 'Culture' novels this morning -- he's constructed perhaps the most optimistic future we can imagine in the present, and given how much genre fiction has turned to horrible dystopic settings it's refreshing to see interesting stories told in a more or less utopic setting.

Take the post-scarcity Federation of Star Trek and fast forward about, oh, 2000 years. You will likely end up somewhere in the vicinity of the Culture. The Culture dominates an unspecified largish portion of the galaxy and has basically evolved beyond laws and government because people are generally well-enough-behaved that they are no longer needed. Whatever situations arise are handled by whoever takes it upon themselves to address them, making decisions by consensus. If military hardware is needed for a crisis, it's just fabricated on the spot and dismantled afterwards.

A large society with essentially limitless resources and industrial capacity spread out over relativistic distances would probably be ungovernable anyway under the model of hegemony as we understand it. So instead of hegemony -- the use or threat of force implicit in the idea of governance -- the Culture maintains order by promoting a sense of common purpose among its citizens. While many of the Culture's citizens are not particularly nice people, they bear an implicit sense of obligation which, though they have absolute freedom, comes from their own nature. (For every person who becomes the protagonist of a Culture story, there are many others who do not simply by virtue of not being the most well-suited person for the task.) Another common motivation is a sense of horror experienced by members of the Culture when they encounter civilizations that are characterized by oppression and cruelty.

This mirrors my own thoughts that society will not be saved by changing or engineering the perfect politico-economic structure but by cultivating a sense of stronger connectedness among people, a sense that giving back is as important as taking in.

ETA: Iain Banks has spelled out some interesting thoughts on the Culture here:

[T]he contention is that our currently dominant power systems cannot long survive in space; beyond a certain technological level a degree of anarchy is arguably inevitable and anyway preferable. To survive in space, ships/habitats must be self-sufficient, or very nearly so; the hold of the state (or the corporation) over them therefore becomes tenuous if the desires of the inhabitants conflict significantly with the requirements of the controlling body. ...

Briefly, nothing and nobody in the Culture is exploited. It is essentially an automated civilisation in its manufacturing processes, with human labour restricted to something indistinguishable from play, or a hobby.
sophiaserpentia: (Default)
I just finished reading China Miéville's The Scar. It is excellently written, I enjoyed it quite a lot (as much as one "enjoys" something so gothy).

But, what the heck did I just read?

questions that will only make sense to people who've read the book )
sophiaserpentia: (Default)
I finished reading Under Heaven by Guy Gavriel Kay. It's his take on Tang Dynasty China, based very closely on real events. I wanted to savor it for a long time, yet couldn't keep from devouring it hungrily; therefore my only complaint about the novel is that it isn't 5,000 pages long.

Next on my queue is Terry Pratchett's Nation, but I'm having a hard time changing gears from the book I just finished.
sophiaserpentia: (Default)
I just finished reading Kim Stanley Robinson's "Science in the Capital" trilogy: Forty Signs of Rain (2004), Fifty Degrees Below (2005), and Sixty Days and Counting (2007). Longtime fans of KSR, global warming wonks, and dedicated SF readers may want to give it a try; i fear, though, that i can't recommend it beyond that.

There's two things going on here: the first is a brewing global climate disaster, developing at the speed of life. Which is to say, not exactly cinematically fast, but climate change caused by global warming is still more rapid and vast than our ordinary consciousness can easily grasp. Droughts, rising sea level, more and more violent storms, and the shutdown of the North Atlantic Gulfstream, leading to arctic temperatures in Europe and the Northeastern US, are some of the problems that come up in the trilogy. The second thing going on here is a kind of panoramic portrait of what everyday life is like for people in the science bureaucrasy of Washington, DC.

Guess which gets about 90% of the trilogy's bandwidth?

Ordinarily i'd be disinclined to knock KSR's desire to make his trilogy fundamentally a story about people. Character development is what really makes science fiction tick, IMO. KSR recognizes that if he writes about people working in Washington to stave off the worst side effects of global warming and force human society to stop its destructive ways, that he is still fundamentally telling a story about people.

Normally though the way you'd handle this is, the early parts of the story would involve some exploration of representative but relatively brief episodes in your characters' lives so that we find out who they are and what they want and why they want it. As the story progresses, the tension should rise. The real guts of the story should take center stage, and should become gripping, absorbing, growing to a climax.

And i, the reader, certainly want to spend more time reading about what the heck we're going to do if we're faced with the sudden prospect of sea level rising 20 feet, than the protagonist's appreciation of Emerson and his endless navel-gazing about his love life. Especially in the third book of the trilogy. By the end of the third book i was bored out of my skull. Actually i'd have to say the majority of the problems i have with the trilogy involve the third book. The first two books felt like they were paced just right, and had a lot of interesting events in them.

Along the way there was some discussion of several very interesting ideas and practical solutions, and some descriptions of environmental disasters in progress, but these took up far too little space in the book.

The third book also gets too tidy in wrapping things up. It doesn't have the ring of truth to it, IMO.
sophiaserpentia: (Default)
I just finished reading Beauty by Sheri S. Tepper. Actually i just read a trifecta of her books: The Awakeners, The Visitor, and Beauty.

Beauty has not become my favorite of her books, but it is the most "solid," in the sense that the writing, plotting, and characterization is really tight. It's... well, it's literally a fairy tale: a radical feminist fairy tale with a touch of dystopian science fiction and a clear anti-porn & anti-religion strand running through it. Tepper asks us to consider that we need beauty in our lives and environment not just to thrive but to survive, describing a dead-end future where all of the joy and beauty in the world has been paved over, and contrasting this with scenes from the medieval period (where the fey, and magic, still exist), and the present day (where the magic is almost all gone).

When i consider what i've written about meaning in the last year or so, i think i'm forced to agree with Tepper: as we gain more ability to shape the spaces in which we live, we cannot consider beauty to be optional.
sophiaserpentia: (Default)
Reading Guy Gavriel Kay's Ysabel. I'm glad i'm reading this now, it's a Beltane story and i can use a few glimpses of spring to come. (Yes, technically it's here, but the continuing cold and crappy weather kind of belies what i think of as "spring.")

The theme, halfway into this book at least, seems to be encounters with the numinous, which is a worthy topic. I don't know if they are proof that we don't understand reality as well as we think we do, or hiccups in the process of consciousness, or what, but each of us can probably tell a tale or three of things which have happened in our lives which we can't explain, or moments where we have touched a greater awareness than we usually enjoy.

When i was young my moments had a very Christian feel to them. Around the time i was 13 they began to take on a much more Pagan and occult feel. This was not something i chose, it is just the nature of things which i've seen or dreamed and felt.

When Kay writes about these kinds of encounters his work takes on an unusually powerful aspect; it goes from good to gripping. Crispin's encounter with the bull spirit on the road to Sarantium; Alun ab Owyn's encounter with the fairies in Last Light of the Sun - these are among the most memorable moments in his books. These overtly pagan moments are set against the backdrop of the prevailing religion, Jadism - the equivalent of Christianity in his fictional universe - which he depicts as legalistic and spiritually devoid. Anyway it's exciting to see that he's given this type of encounter center-stage in one of his novels for a change.
sophiaserpentia: (Default)
This morning i finished reading The Amber Spyglass by Philip Pullman. Now it's time for my review of the His Dark Materials trilogy to which this is the conclusion.

I've been writing this review in my head through half the trilogy, but i wanted to actually finish the trilogy before setting any of it down.

The quality of Pullman's writing craft i'll give a B. It was particularly uneven with regard to vividness. In many parts, there was no attention given to the senses at all - no description of sights, sounds, smells. Now, typically, i don't like prose which is bogged down in elaborate descriptions of things. But a few hints here and there, just to tickle the senses, would have been effective - especially given the (literal) otherwordliness of many of the book's settings. In other places the setting descriptions were so elaborate the scene felt bogged down.

Dialogue was good though, and the characterization was (with one exception) superb. I love that the protagonist is an untidy, poorly-behaved, stomping-in-the-mud, neighborhood-warfare-waging, prank-pulling, truth-challenged 12 year old girl.

The exception is Marisa Coulter, a femme fatale who wields charm, seduction, and manipulation to achieve supernatural results. Coulter is the hardest character to read, because one never knows when she is being upfront and when she is lying until she actually acts. I know this is by design, and that element of not knowing would be laudable if it were done via any different means; but it's still unfortunate to see a character play an essential role mainly because everyone who meets her is stunned by how she looks.

Still, i have to give Pullman some points for writing a work of fantasy in which female characters are just as strong and prominent -- if not, on balance, a little more so -- as male characters.

The plotting and storytelling i'll give an A. As a whole the work is superbly conceived and structured. It's set in an elaborate multiverse and the reader finds herself wishing she could take tangents, just to learn more about this or that. Lyra's world, where the story starts, is fascinatingly different from our own. Even the experience of day to day life as a human being is vastly different there, because every person has a companion, a dæmon, who is an extension of their individual being and nature.

In many ways, this is the ultimate "underdog" story. The heroes are figures usually cast as villains: witches, fallen angels (esp. gay ones), dæmons, harpies, users of divination, gypsies ("gyptians" in Lyra's world), African kings, rebels, dissidents... while the villains of the book are figures of authority: various members of the European upper class, bishops and other church functionaries, and upper ranks of angels, including God himself.

Wait, so God is a villain in His Dark Materials? Well, it's more complicated than that. spoilerish stuff starts here )

Hmm, not sure how to characterize the last few paragraphs, but since they gel with my own views, i'm going to give it an A. Which means that my overall grade for the trilogy is about an A-.
sophiaserpentia: (Default)
So now i'm reading Stephen Baxter's Manifold Space, the sequel to Manifold Time. I didn't hugely enjoy the first book, the protagonist was a conceited jerk and the book had a kind of self-satisfied smugness in places. But i was curious to see how there could be a sequel to a book that ended with.... mmmm, not saying, but it had a pretty darn strong note of finality to it.

I'm enjoying this book much more. The elements that annoyed me about the first book are not present this time, and secondly, this book has aliens. I think -- no, i'm certain -- i just like science fiction more if there are aliens in it.
sophiaserpentia: (Default)
So, i'm reading Stephen Baxter's Manifold Time, and it's okay, not great, not horrible. Towards the outset of this book the protagonist is introduced to, and convinced by, the Doomsday Argument, which holds that we consistently underestimate the likelihood of human extinction in the near future and that we have 150-220 years to live. Read more... )

Or, to summarize it even more succinctly (again adapting from anthropic-principle.com), based on the principles of statistics you should not expect to be one of the very first or very last human beings who ever lived. Other things equal, you should expect to find yourself to be among the middle 95%. At present, the human population of Earth comprises 15% of all the humans who have ever lived. Assuming that the population will continue to double every 20-25 years, as time passes you and i each slide out further from the statistical norm on the bell curve of historical human population. If humanity thrives for another million years, then you and i will have "self-sampled" to find ourselves in a statistically unlikely place on the bell curve.

IOW, based on a bundle of statistical laws and categorizations some philosophers claim they can predict with near certainty that humanity will go extinct in the next 200 years, even without stipulating a mechanism by which this may occur.

As Nick Bostrom, who compiled anthropic-principle.com admits, most people when exposed to this argument have an intuitive sense that it is wrong. He's complied a long list of arguments demonstrating why he thinks the Doomsday Argument (which he does not seem to personally believe, BTW) is not so easy to refute or dismiss.

But i think it doesn't hold water, and here's why. It is a case of inductive reasoning run amok, and all of the arguments for it and against it all play by the rules, by implicit agreement to accept certain frames and limitations on our conceptualizations. IOW they contain a hidden agenda. Western philosophers spend a lot of time dealing with "paradoxes" like this because they cannot rid themselves of troublesome arguments like this one, or the Simulation Argument which bears many similarities, or the Goedel Incompleteness Theorems, or the Hard Problem of Consciousness, and so on, without questioning the couch-cushion fort of conceptualizations and abstractions they've built up around themselves and upon which their livelihoods depend.

First (not stepping entirely outside the philosophical box but stretching it a little) i contest this idea of "all the humans who will ever live" as an easily-delineated set. Each one of us as individuals exists as a special case, born with unique DNA bearing variations on themes of the DNA of previous organisms. Each one of us has mutations in our DNA and so we are part of a continuum of evolution. It is not "humanity" that will live for millions of years, because the descendants of this generation will continue to evolve and will at some point, which may or may not be easily discernable, constitute one or more new species. If our descendants take to the stars and eventually inhabit the entire galaxy, it is likely that they will branch out into hundreds or thousands of new species. Some branches of this evolution may even be consciously guided by genetic engineering. Will such people still be "humanity," for the purposes of this thought experiment, as we now know it?

[I suspect this may be the direction Baxter is actually going in his book, but if you know don't tell me, i'm only 100 pages in.]

Secondly (and this is where my objection really begins) this notion that we can self-sample to find our location on an indexical continuum of "all the humans who will ever live" is based on an unspoken but assumed body-soul duality. It assumes that there is something special about humanity, that at some very clear point we stopped being "mere beasts" and became "humans with souls" qualitatively distinguishable from the beasts around us.

Suppose that instead of seeing myself as "one of a finite number of beings with souls" i see myself as a little bit of the universe folded on itself in a particular way, a unique unfolding of the holomovement renewed in every instant. What i see as "me" is a persistent pattern of unfoldings associated with a subjective consciousness. I exist in the now, and any human being who perceives and contemplates the mystery of their existence will be, similarly, a little bit of the universe folded on itself.

Taken this way, there is no logical imperative for me to see myself as a member of any given indexical continuum. If i were to self-sample and place myself on an indexical continuum of "all the humans who will ever live," why not "all the organisms who will ever live" or "all the conscious unfoldings that will ever perceive themselves to exist"? Why must i necessarily interpret my understanding of myself qua humanhood? The only answer is that the argument presumes there to be something special about the experience of "what it is like to be human" that indicates a meaningful and unique divergence from all other kinds of system... IOW a presumption analogous to saying that humans have souls and other beings do not (or do not at least have souls like ours).
sophiaserpentia: (Default)
Kurt Vonnegut, Jr., is dead.  It did nothing wonderful for my mood for this to be the first thing i saw upon waking this morning.

I discovered Vonnegut when i was 21 and in the span of a year or so literally poured through all of his works to date at that point.  I was touched deeply by Slaughterhouse Five and Cat's Cradle, and even enjoyed somewhat apocryphal books like Slapstick and Deadeye Dick.  But the one that haunted me the most was The Sirens of Titan.  It was in many ways his most absurd book, his most cynical, and yet the most plaintive as well.

So, perhaps i will choose to believe that Vonnegut is not dead; he's merely gone into a chronosynclastic infundibulum and will return when Earth passes through it again.
sophiaserpentia: (Default)
Subversive literature arrived in the mail last night, always a cause for celebration.  :-D

I received Feminism is for Everyone by bell hooks, and Color of Violence: the INCITE! Anthology.

In the intro to her book bell hooks calls it a short primer she could give to anyone who wanted to know more about feminism, but 10 pages into it i disagree that it is any sort of primer at all.  It's too polemic to be a primer.  See, i can tell that hooks is the sort of person who, very much like me, thinks that getting people to agree with her is primarily a matter of explaining the facts and theories clearly enough, and that with understanding will come agreement.  And while i agree with the picture she paints of careerism and white privilege undermining the feminist movement's momentum (my own first exposure to feminism was in the academic environment and it was not the most positive experience), her words on that subject, this early into the book, make it into the sort of book that i would not hand to someone inexperienced in thinking radically.  If it was me, and i was writing a book nominally directed at everyone, i wouldn't put controversial stuff like this at the very beginning where it's more likely to turn people away.

The anthology looks like deep academic stuff that i'll probably have to digest in small bits.  But i'm eager to dig in because what i've seen of INCITE!'s perspective excites me a great deal.  Also i've come to the conclusion, after everything i've seen at the Network La Red, and in the blogosphere, and in other places, that radical women of color are the best allies that transpeople have.  Transactivists have spent a lot of energy forming alliances with the gay, lesbian, and bisexual communities but i think we need to consider their willingness to sell us short to meet their own goals.
sophiaserpentia: (Default)
I called my parents and spoke to them for a while last night. It was the first time i had spoken with either of them in over a year. The conversation was going pretty well... they have started using my new name and my mother even said it was one she's always liked. But only a few minutes into the phone call one of their cats became very distressed and died as i listened.

I'll call back tonight or tomorrow night to learn more and finish the conversation where we left off. But it's left me terribly depressed. I dreamed about killing and predation and death, and woke up pondering the idea that there must be death.

My thinking went like this: Suppose there were no animals that ate other animals. Suppose there were no animals that ate plants, either. Suppose there were no death. As it happened in the course of our ecosphere's evolution, these things (killing, eating, predation) prevented various imbalances and spurred the evolution of certain traits. I've mused in the past that maybe intelligence would not have developed if not for predation. Is it possible to imagine a world where there is no killing, eating, or predation -- or even death?

I can actually conceive of it. This could happen is if the entire ecosphere were a single organism, balancing to adjust to resource availability and adapting to changes or biological threats as necessary.

So there you have it, a philosophical demonstration that we do not live in the best of all possible worlds: a single superior alternative, even in concept only, is sufficient counter-proof.

On the way to work this morning, i read this, in the conversation between the Christ-figure Wilbur Mercer and protagonist Rick Deckard in Philip K. Dick's Do Androids Dream of Electric Sheep?

"Go and do your task, even though you know it's wrong."

"Why?" Rick said. "Why should i do it? I'll quit my job and emigrate."

The old man said, "You will be required to do wrong no matter where you go. It is the basic condition of life, to be required to violate your own identity. At some time, every creature which lives must do so. It is the ultimate shadow, the defeat of creation; this is the curse at work, the curse that feeds on all life. Everywhere in the universe."


There you have a succinct summary of the philosophy in the Bhagavadgita.  It is a fatalistic kind of philosophy which would be excoriated from the Marxian point of view, because of the ease with which this philosophy can be used to goad people into submitting to terrible classism or even participation in war and other brutalization.

I almost feel like it is our duty to rebel against this philosophy even if it is true.  Maybe especially if it is true.
sophiaserpentia: (Default)
A few weeks ago i finished reading Raising the Stones by Sheri S. Tepper. This novel examines an interesting question, first posed about halfway through: what would be the effect on religion if we had a God who actually worked?

She means of course outside of cosmology, because of course either God has created/is creating the whole universe, or not. The question concerns the direct and clear involvement of God in our individual lives.

I wonder what people point to as evidence, to them, that God has been involved in their lives?

In my case, there have been hints of a presence which i've felt in moments of stillness. But i don't know whether this presence is God, or my own self reflected back at me, some kind of cosmic mind, or an illusion created by my brain responding in its limited way to qualia it doesn't know how to handle otherwise.

But from a certain practical perspective, my conceptual interpretations don't matter. It doesn't matter if the presence is God, or my self, or the cosmos, or a neurochemical chimera, because i react to it the same way regardless. What matters is that i feel the presence there and it affects me, it calms me and makes me feel connected to something larger than myself.

More "direct" evidence of God, gods, deities, divinities, spirits, fairies, ancestors, poltergeists? There's been none in my experience. People's experiences vary widely in this regard, though, and it does not disturb nor hearten me to hear of more concrete sorts of experiences with the numinous.

So here's part of what i think happens. The following is, of course, just a theory. But tell me if it resonates with you.

I have come to suspect that people who latch very strongly onto dogma and doctrine and scripture do so because they don't otherwise have a strong link to the divine. That is, the only glimpse they've had of any sort of divine presence is the glimpse they get by way of doctrine and scripture. I can't say this for certain, but it is something that i have come to suspect in many cases.

(Of course there must be exceptions; frankly i find it puzzling that i ever have to say that a general statement has exceptions, but i daren't leave out that disclaimer!)

But what i have found is that people with a sense of connection to the divine seem to find a way to see eye-to-eye, even if they disagree about many of the particulars. It's like they can sense and acknowledge this connection in one another, and they grok that talk about doctrine or scripture is just that -- it is talk about concepts, and does not usually "cut deeply" to the connection each has with the divine.

Suppose God was a part of our lives just as plainly and clearly -- and doubtlessly -- as our friends or coworkers or classmates. Suppose God heard our requests and perceived our needs and acted on them. Then there wouldn't be room for doubt the way there is now.

In that case, sacrifices and rituals and other observances or obeisance would be nothing more than a kindness; it wouldn't be sacred in the way we think of it, because it would not be "set aside;" if we were following a request or a demand from God it would be the same as if we did so for a friend or supervisor.

Moreover, we wouldn't pour over scripture and engage in endless niggling debate about doctrinal details, because God would be right there to answer the question. Any debating we did would not seem like "theology" or "philosophy," it would be imminently practical.

Could the social edifice and prominence of religious institution survive? I do not think it could... in a recognizable form at least. A good chunk of religious practice is an unending attempt to stave off bad things from happening, under the assumption that bad things happen because gods get angry and punish us. If God was right there with us to give us clear input on what to do and what not to do, there would be no need to speculate on what God finds morally objectionable. If bad things happened, we would know whether or not it came from God.

People who perceive some sort of connection to the divine tend to take religious edifices, and people who piously rely on religion, less seriously than they should. I think this is part of why the piously religious are occasionally able to grab power, especially in societies where large segments of the population are psychologically damaged by cannibalistic oppression and are spiritually stunted.
sophiaserpentia: (Default)
In a locked post, i had a conversation yesterday about Shel Silverstein's book The Giving Tree. Say what you want about this book, it arouses some powerful emotions and strong reactions. This book depicts a tree who loves a boy so much, the tree gives up everything it has to suit the boy's needs, whims, and wishes. There is nothing to show that the boy recognized the depth of the tree's sacrifices or was even grateful; there is nothing to show that he considered the cost to the tree of accepting its sacrifices; he just took what was offered.

There's a part of me that has never quite forgiven Silverstein for writing this book; it cut me deeply.

It boggles me that there are people who think that this book straight-up encourages "the joy of giving". Others see in it a glorification of motherhood. I disagree most profusely with that kind of interpretation; i see the work as satire and cannot believe that Silverstein wanted us to see the relationship between the tree and the boy as a positive thing.

If i had to guess at Silverstein's purpose, i'd say he was making a statement about human misuse of the ecosphere -- about the sense of entitlement to take what humans deem to be freely (even lovingly) offered by nature. It occurred to me yesterday that the book could also be said to depict male privilege, the kind of privilege and entitlement that men are encouraged to think is a natural part of the way the world works and which actually involves a great deal of conscious sacrifice on the part of women, sacrifice that goes largely unacknowledged.

But none of the wrongness of this is explicitly acknowledged in the book, which makes it entirely feasible that Silverstein was comfortable and okay with the status quo. I don't personally think so, but i coud well be wrong. But then, that's the danger when you make a work of satire and don't put a disclaimer on it; you run the risk of being misunderstood, especially when your satire is particularly subtle.
sophiaserpentia: (Default)
I just finished reading this last night, and here's what i think is going on.

major major MAJOR spoiler )
sophiaserpentia: (Default)
I just finished reading Gregory Maguire's Wicked: The Life and Times of the Wicked Witch of the West.

Honestly, i'm not sure how i feel about it. I enjoyed reading it and there are parts that are moving and parts that are very funny. It was nice to see the elements of an old familiar story turned so completely upside-down. But the book is dark, disquieting, and frenetic; parts of it feel like a fever dream. By the end it becomes clear that there are many subtle currents not quite perceptible, undertows pulling things this way and that, and there's a strong feeling that something big and dangerous swims just under the surface.
sophiaserpentia: (Default)
[livejournal.com profile] cowgrrl loaned me the first two books of Butler's Xenogenesis trilogy, Dawn and Adulthood Rites. She does not have the third book Imago, so this review is based on the first two books alone. The third book may contain points that argue against this interpretation, but i don't anticipate that.

analysis with major spoilers )
sophiaserpentia: (Default)
I made my first foray into Harvard's Widener Library yesterday. The stacks are kind of depressing; it is like going into a huge basement, and the aisles are unlit until you enter them.

But, who can resist the allure of ten floors of books, if you're a book person? And I was able to check out books until September.

I picked up:

On Humane Governance by Richard Falk, after a heads-up by [livejournal.com profile] hfx_ben. Glancing it over, it seems to have a good appraisal of the problem he terms "inhumane governance" (I like my term "Cannibal" better), and then seeks a way to move to a free-market capital-driven yet humanely governed world. More on that when I have a chance to read it.

Jesus and the Politics of Interpretation by Elizabeth Fiorenza Schussler. This is a work of feminist theology, which I want to read about more.

The Cambridge Companion to Liberation Theology, edited by Christopher Rowland. I read the intro and this excited me very much -- liberation theology may have more in common with my own "embedded theology" than I realized.
sophiaserpentia: (Default)
Since I was tagged by [livejournal.com profile] kyrene:

1) Total number of books owned?
I'm not sure exactly, I'd estimate around 150.

2) The last book I bought?
Religion Explained by Pascal Boyer, Understanding Media by Marshall McLuhan, and The God Part of the Brain by Matthew Alper. Since I bought these at the same time, I have to list them all.

3) The last book I read?
Religion Explained, currently reading Understanding Media and the Schaum's Outline book on Probability. I've also recently read the graphic novels V for Vendetta by Alan Moore and the first volume of Promethea, also by Alan Moore.

4) Five books that mean a lot to me?
The Lions of Al-Rassan by Guy Gavriel Kay
Wholeness and the Implicate Order by David Bohm
The Hidden Gospel by Neil Douglas-Klotz
The Naked Ape by Desmond Morris
Night Watch by Terry Pratchett

5) Tag 5 people and have them fill this out on their LJs:
[livejournal.com profile] bifemmefatale
[livejournal.com profile] _raven_
[livejournal.com profile] ubiquity
[livejournal.com profile] cowgrrl
[livejournal.com profile] badsede
Bonus sixth person tagged: [livejournal.com profile] novapsyche

Profile

sophiaserpentia: (Default)
sophiaserpentia

December 2021

S M T W T F S
   1234
567891011
12131415161718
19202122232425
2627282930 31 

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jun. 20th, 2025 04:02 am
Powered by Dreamwidth Studios