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For me the question of cultural appropriation, especially when it comes to, "Where does the inter-cultural exchange of ideas stop and misappropriation begin?", is endlessly fascinating. The thing is, there isn't a monolithic answer to these questions, and we can't come up with an easy answer or template and just tack that on whenever the question arises.

How such an exchange, or misappropriation, occurs has to be seen in the historical context of how it came to be. As a jumping-off point, there's this interesting video of Jennifer 8 Lee talking about Chinese restaurants in America (seen in [livejournal.com profile] debunkingwhite):



From the point of view of a merchant, trade between nations and cultures is a good thing -- because it means more potential buyers, more potential profit, more potential opportunities. So it may have seemed to restaurant owners or merchants in Chinatown when white folk started coming in greater and greater numbers to see what food or decorations they could buy that were unlike anything else they or their neighbors had.

And so i think the notion of cultural misappropriation feels to white people like a glass of cold water thrown in the face when a friend accuses them of it because they have a statue of Buddha sitting on their fireplace mantle. Well, hey, they might reply, i bought it in Chinatown from a woman who seemed happy to sell it to me; if *she* doesn't have a problem with it, why should *you*? Or, taking it a step further, doesn't it foster understanding if the people of different cultures who live side-by-side sell things to one another? It makes them less alien, and therefore less scary... doesn't it?

And on their own these are perfectly valid points, IF and only if you exclude the macropatterns of racism in our society. On the micro-level, it's not necessarily a huge deal; where it becomes a problem is when it's enough people in the privileged class who partake of the "exotic" that it starts to drown out the voices and living cultures of the minority.

What i've seen in the last couple of years is that awareness is starting to spread among white people that there's this thing called "cultural misappropriation" and if you're not conscientious you could be doing it too, and ZOMG i don't want to be an oppressor so how can i make sure i am not a cultural misappropriator?

It's gotten to where i've seen people say they're only comfortable with seeing white people exploring the religious traditions of their ancestors. Anything else is too close to cultural misappropriation. So, what, someone has to get a mitochondrial DNA test before they know what religions they are allowed to explore? And isn't this in its own way a restriction on people of color, in that it prevents them from potentially sharing their faith or beliefs with white people?

And yet, i don't mean to deny that cultural appropriation of religious ideas and imagery is very real, and very detrimental. Where it concerns me most is (1) when cultural motifs are reduced to "entertainment value" or "diversion" to the extent that their original meaning is obscured; when this happens, people of color can no longer express their own ideas or criticisms using those motifs without white people hearing "entertainment" when they encounter it; (2) when cultural motifs are stripped of any political implications, especially those which are critical or subversive towards the dominant paradigms; and (3) when people of privilege are turning a profit by stripping the meaning away from cultural motifs. The motif in question becomes an element of the larger culture, and the meaning the larger culture attaches to it drowns out the original meaning attached to it by the smaller culture.

In short, it is a part of the greater pattern of commodification and of misappropriating the language of dissent, the process by which meaningful utterances which pose any threat of causing people to question the authoritarian ideology are rendered harmless.

So, the question becomes, how can people of different cultures share ideas, motifs, food, relics, without them losing their meaning in the context of the original culture? The only way, ultimately, to share ideas in a truly free way is in a world free of hegemonic dominance... which is a tragedy, because humans have so much to share with one another.
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A couple of times in the past i've written about the misappropriation of transgender. My point then has been, essentially, that popular culture, the media, and numerous ideologies, have created their own narrative of what it is and what it means to be transgender, and present this in lieu of allowing us to speak for ourselves. Any resemblance this faux-trans narrative has to the genuine experience of transgender people tends to be accidental. Any sympathy extended to transgender people by the cisgender culture is invariably marred by continual references to the superficial trappings of gender presentation ("high heels and lipstick") essentially implying that "dressing up" is what transgender is basically about.

Autumn Sandeen raised an interesting point regarding the extent to which drag (some drag, all drag?) is possibly comparable to blackface. Like her, i do not believe that this comparison can be made some or maybe even most of the time.

For one thing - and this is a significant point and not an aside - many of the drag performers i've met over the years have at least a touch of genderqueerness (and sexual queerness) about them, and so they use drag as a way of expressing this part of their nature in a somewhat safe environment.

Just going off the cuff, and based on my own experiences from having seen drag done in many different ways in many different times and places, the cases i might compare to blackface tend to be the most blatantly caustic and misogynistic. Ms. Sandeen cites an example which falls pretty squarely into this, the case of three male Westchester County (NY) legislators who thought it would be funny to dress as campy prostitutes and perform a Broadway song.

The New York Transgender Rights Organization responded with a protest and a press release [PDF] comparing the event to "a KKK blackface show."

Even in the comments to the post i linked, there are people admonishing us to "have some fun" because this is "funny." Yes, we've all been trained to think it is high-larious when men dress in the most ridiculous caricature of femininity possible and prance around. Maybe it *is* funny and my leftism has just made me humorless, a question i ponder sometimes. OTOH maybe it's worth asking what it is about humor that is supposed to make jokes something light and un-serious which only a uptight stick-in-the-mud would criticize. I'll try to remember that it's perfectly normal to laugh at such a spectacle the next time someone 'reads' me on the street and laughs in my face.
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The goal of meta-neo-inquiry is to answer, as well as possible, the question: "What is going on here, and what is the most just way to respond?"

Response is an indispensable element because meta-neo- ethics demands more emphasis on right action than on right words or right belief. It's not what you say or feel, it's what you do that matters. I can forgive errant words if your actions put you on the side of conscience.

A lot of the time the answer is pretty straightforward. Someone is beating up someone else; the most just way to respond is to stop the fight and find out why it started. Someone stole someone else's car; the most just way to respond is to recover the car and return it to its owner.

Sometimes though the answer is not straightforward at all, often because the truth has been occluded.

Discourse tends to be dominated by those in power; and so where conscience leads us into opposition with the power paradigm (on those fronts where the people in power are committing injustices and warping the cultural discourse to legitimize or cover it up), discourse itself becomes territory to be fought over.

Dissidents are kept off-balance by having even their very language pulled out from under them like a rug. One generation of dissidents comes up with a way to vocalize what is happening to them and what is wrong with their condition; it's an organic process which starts with art and fashion, or other kinds of consciousness raising. Political changes are demanded, and a few concessions are made. But by the time the next generation comes along, when it comes time to pass on this knowledge, all of the groovy terms and images they came up with to communicate their dissent have been misappropriated and commodified by the power paradigm. They've been rendered useless; their meaning has decayed.

It is fair to ask, of every text you encounter, what is the author's agenda? As time passes it becomes harder and harder to answer this question, because one's agenda in writing a text is a response to the culture to which she belongs. Cultures change but texts tend not to. So any text older than, say, 40 or 50 years, can easily be subverted by the power paradigm and people can be educated to read it a certain way; afterwards, one requires a specialized awareness of historical context to have any hope of recreating the original agenda of any text, especially if the text had any degree of subversiveness to it.

My contention is that this line of inquiry will demonstrate that many spontaneous movements over the centuries -- whether political, religious, philosophical, or artistic -- can be demonstrated to have their origin in subversion against the injustice of the power paradigm. The products of a "culture industry" established by the power paradigm itself tend not to endure because they carry remarkably little meaning to begin with, and most of us carry an innate recognition of that even if our consciousness has not been raised.
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So, the trailer for the new Indiana Jones movie is out, and i'm... feeling really mixed and weird about this.

When "Raiders of the Lost Ark" came out, i was 11 and this was, like, the best movie evar! It had dungeons with bizzare traps, and bullwhips, and arabs swinging swords, and a staff which had to be put in the right slot at just the right time so the sun could shine through the gem and reveal where the treasure was!

In the 27 years since, we've had a lot of discourse about how destructive and misappropriative archaeology can be, culturally speaking. And the overriding principle of Indiana Jones's morality, that antiquities "belong in a museum" is, let's face it, the antithesis of how we should really be conducting discourse between cultures and examining the past. 27 years ago, this seemed an enlightened perspective because in a museum, as opposed to a private collection, an antiquity is more roundly accessible to academia and therefore to the advancement of "human" (by which was meant, Western) knowledge.

But, whereas antiquities appear to be the products of civilizations long gone and people dead for generations, their descendants live in the area, and their cultural identity is increasingly tied to those antiquities. Those items belong to the descendants of the people who made and used them, and our awareness is growing that it is wrong to take them away from the country where they were found and locked in a museum thousands of miles away, where they are examined in a scholarly way out of context.

The new model of handling antiquities is to leave them in the possession of the country where they are found, since the means to preserve them can be established there; and for scholars to go and study the objects in an environment closer to the cultural context in which they were produced.

I think, though, kidding aside (thanks for that, [livejournal.com profile] _yggdrasil), that i trust Steven Spielberg not to glorify cultural misappropriation. Most of his films, particularly his later films, have shown a sensitivity to the ways and workings of oppression; not a perfect understanding, perhaps, but in general he does not take the side of the oppressor over the underdog.

In the second Indiana Jones movie, Jones gives the artifact in question (a sivalingam) back to the people to whom it belongs after taking it from the Thugs (literal Thugs) who appropriated it. To do so, he has to strain against his own instinct to take the artifact for himself; but we see this struggle, and his eventual understanding that the artifact belongs to the Indian people.

So i hope it is *this* Indiana Jones we see in the fourth film, and not the one who sees bringing a prize back to his museum in America as a victory. Because *that* Indiana Jones is as dated as the theme music.
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Clogging the arteries of discourse about racism (and sexism, though for the specifics here i'm going to stick to racism) is this notion that people who work against racism, by bringing it up, are preventing us from having a "truly color-blind society."

Here's a couple of examples.

The first stems from a recent incident in Arlington, Texas. Silk Littlejohn was hit with a two-by-four by one of her white neighbors, who also spray-painted racist slurs on her garage door. While she's in the hospital recovering from the attack, neighbors began to ask her husband, Roland Gamble, to paint over the racist graffiti. Their comments include things like, "Everyone knows what happened. They get the drift. It's time to take it down.", and "We understand that someone got hurt, and we understand that someone's feelings got hurt. But our kids don't necessarily have to be exposed to it."

The second example is seemingly disconnected. Ron Paul, who has been a member of Congress off and on for over 30 years, was the only one who voted against a 2004 measure recognizing and honoring the 40th anniversary of the 1964 Civil Rights Act. LewRockwell.com praised him as "heroic" for doing so.

There was a lot i could say in response to Paul's justification - and i have a long entry on this in the works. But for now, what i want to draw attention to is this: "The Civil Rights Act of 1964 not only violated the Constitution and reduced individual liberty; it also failed to achieve its stated goals of promoting racial harmony and a color-blind society."

What these examples share in common is a fundamental misperception among many (all?) white people that discourse about racism is, at heart, an intellectual or ideological undertaking. We whites don't feel racism in our gut; we don't deal every day with the exhausting effects of racist trauma or the health effects of economic disadvantage. We can walk away from thinking about it and our lives will go on just as they have.

And so even if we say something like, "We understand that someone got hurt," we don't really understand the depth and breadth of it.

From that mistake, it's easy enough for white people to think that the solution is just simply creating a world where "race doesn't matter," which in turn is simply a matter of declaring it so, holding a few parades touting equality and giving black people a federal holiday named after one of their activists -- and then aferwards accuse anyone pro or con who discusses race of perpetuating the problem.

Fighting racism takes more than simply declaring it to be over. It requires more than talking about racism. It requires material measures to stop the violence - including the weapon of mass destruction known as poverty - and right the economic inequalities. Racists have to be held accountable. Real, tangible things in the world have to be done, on large scales, for a long time.

The neighbors of Silk Littlejohn and Roland Gamble got a teensy-itsy-bitsy taste of how persistent and invasive racism is, by having to see a reminder of it every time they drove down their street - and their immediate response was to demand that it be hidden away so they and their kids don't have to look at it anymore. "Don't make us face this!" But what are people of color supposed to do when they don't want to face it anymore? They don't have the privilege of removing reminders of it from their lives by simply repainting a garage door.

(For more on this, i refer you to my earlier post the bizarro-world of misappropriation.)
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The American Indian Movement yesterday launched a new, interesting discourse on authority and colonialism, in declaring their intention to dissolve the treaties between the Lakota nation and the United States of America and seek international recognition as a soveriegn nation.

I have to confess, i read about what happened yesterday with a great deal of joy, but also a considerable amount of worry. The AIM is not well regarded by the US federal government and, assuming the feds don't just ignore this completely, they are likely to find themselves being designated a terrorist organization.

If that happens, any US citizen who expresses support for their cause would be considered by the federal government to be a terrorist sympathizer. Let that sink in for a moment.

Consider these two different articles describing yesterday's event:

Read more... )

Here's what i want to draw my attention to, because it's essential to how the world and the US federal government are going to respond to this. The first article describes the Lakota delegation as a collection of freedom-seeking activists who pointedly do not represent the official tribal governments. The second article characterizes the delegation as a collection of Lakota tribal leaders, and treats their declaration as if it has official force.

So, what does this mean? Essentially the move is being done by a collection of influential activists who are denouncing the authority of their official tribal governments and claiming for themselves the authority to negotiate with the United Nations on behalf of the Lakota people.

Can they do that?

Well, that's a hell of a question, isn't it?

Who has the right to speak 'on behalf of' someone else? Well ideally, someone can only speak for you if you have individually granted them that authority. But functionally it's just not possible to get individual assent from every single person.

I'm not familiar enough with the AIM or with Russell Means and his allies to know how much popular backing and authority they have within the Lakota nation. I think, though, that they are acting on their own and counting on widespread popular support for their actions within the Lakota nation: a sort of after-the-fact delegation of authority from the populace to speak for them. The underlying chance they're taking is that a significant number of Lakota Indians will even notice it. So whether or not Means & co. can claim to speak for the Lakota people will become clear over time.

In the meantime, it may be said that they perceive a need to speak out, even without that official, on-paper authority which we all pretend comes from democratic elections. They perceive that they live under an unjust hegemony and feel driven by conscience to speak out against it and to seek allies, to seek like-minded people who have the position and authority to give assistance. As such, they're taking a chance that in claiming authority before the fact it will materialize after the fact when a 'critical mass' of people act as though they have it.

Which is why AIM is seeking the assistance and recognition of the new South American Superpower.

In any case, isn't this basically what a prophet does? I mean, setting aside religious and spiritual dimensions, a prophet is basically someone who speaks on our behalf before the rest of us even know that a thing needs to be said. I'm not saying Russell Means & co. are prophets (you can each be the judge of that), but i am saying that we don't always know who is and who isn't a prophet until after the fact.
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This is the second part of my first entry a couple of weeks ago on the decay of meaning over time as reflected in scripture. It ties together a number of things i've written over the last year or so on my ever-evolving relationship to religion, belief, faith, meaning, discourse, scripture, doctrine, and compassion.

A little over a year ago i wrote about the tension between my own few encounters with the numinous, and my inability to describe them to anyone else without employing religious terminology. This is a concern to me because of all the agendas, past and present, inexplicably tied to these terms; but it would be useless for me to create my own words, because any new words i coin would not resonate in the minds of any listener the same way as will happen if i use the word "goddess."

And so uneasily i refer to my raw experiences using terms that will make it all too easy for someone else to hijack them, to make them into simultaneously more and less than they are. I could remain silent, taking the position that the only way to ensure that my mystical utterances do not carry any unintended religio-political connotations is to make none at all. Or, i can struggle to untie the knot as i use these terms, an effort in which i have been engaged off and on for at least the whole time i have been keeping this journal.

I have long believed that this struggle resides at the heart of all faith traditions - on one side, mystics who set out to distinguish their expressions of faith and numinous experience without being misunderstood, and over against them the functionaries and legalists, people whose relative lack of faith or mystical experience drives them to latch on to scriptures, traditions, and concepts, in the hopes of capturing some of that faith for themselves.

And all of us are, to one extent or another, driven by self-interest; there are those who use positions of influence in the edifices of religious institution to benefit themselves at the cost of someone else's suffering. This is what i mostly mean when i refer to 'agendas' within religious doctrine, practice, or law.

To make this even more complex, there is no one who is 'pure mystic' and no one who is 'pure legalist.' Each of us who participates in the grand struggle of faithful expression carries a bit of both. I don't want to couch this as a clear-cut "us vs. them." But in general we can distinguish between people who primarily project a mystical outlook, and those who primarily project a legalistic approach.

I have described legalism and the agenda of self-interest as causes for the decay of meaning over time. It is hard to define what i mean by that phrase, 'decay of meaning over time,' and unless i am certain that you know what i mean by 'meaning,' i'm not sure my purpose in writing this will be grasped.

So, to revisit: 'meaning' is, for this purpose, the intended reaction one has when contemplating an utterance. That encompasses all aspects of your reaction: your interpretations of the definitions of the words employed, your emotional response, any changes to your ways of thinking or acting which result directly or indirectly from it. Meaning decays over time because a lot of our reaction is rooted in the cultural context of the moment when the utterance was made.

For example: For those of us who were children when the movie "Jaws" was released, the movie possesses a lot more meaning than it does for those who had not been born yet. A lot of that meaning relates to our cultural environment at the moment we first saw the movie. Someone who first sees the movie ten or fifteen years later may see an enjoyable movie, but wonder what the fuss was about. The meaning of "Jaws" has decayed over time.

Most mystical utterance is the attempt to resurrect the spirit of meaning which a mystic perceives was once carried by a prior religious utterance. All mystical utterance is, in some way, an act of religious reconstruction. The fullness of mystical meaning comes from having grown up in or spent a lot of time immersed in a living faith tradition.

[ETA: to illustrate i offer some of my previous attempts to reconstruct what i believe was the meaning of utterances attributed to Jesus (culminating for example here and here), which were in turn his own attempts to reconstruct the mystical and spiritual heart of his own Judean tradition and to respond to the realities and injustices of his day.]

So when i use words like "god" or "spirit" or even "compassion," i am speaking to people who live immersed in a culture and faith tradition more or less like my own. Someone twenty, fifty, a hundred years from now will only understand anything i've written to the extent that they can reconstruct my contemporary cultural experience. They also, in commenting on what i write, will add their own new meaning to it. This is okay; this is the way the mystical tradition operates. Spirit is not dead, it is life and breath; so too, attempts to describe it should live and breathe.

Frequently, mystical utterances bear political and religious implications. Any utterance which may tend to subvert the status quo - which i would assert is typical of mystical (as opposed to legalistic) religious utterance - can be perceived as a threat by anyone in a position of authority, who stand to lose if the underpinning of that authority is undermined. They will then attempt to silence the mystic (by labeling them a heretic), or they will misappropriate the religious utterance, stripping it of political meaning and leaving only an 'approved,' authority-safe version.

Anywhere you have a mystic, you have people calling him or her a heretic - and this is why. It is not accidental. It is not mere resistance to change. The people at the bottom of a stratified society greatly outnumber the people at the top, and nothing can rile the masses like religious fervor can. The struggle for the heart and soul of religion is one of the great theatres of the ongoing struggle against tyranny.
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I spent a good part of the morning being offline while having my work computer "refreshed" - i am very happy with the new one! It just sings along.

While i was waiting for this to be finished i went to the Holyoke center to get a new work ID card with my new name... yet another small piece of the transition taken care of. I looked at teeny snowflakes falling and pondered transsexual transition as an analog rather than a digital process.

I came back and still didn't have my new computer yet, so i read a fairly good chunk of Julia Serano's Whipping Girl, which i finally started reading yesterday. Her primary ideas are elegant and possess considerable explanatory power, but i think i will wait until i am done reading the book before i comment on her primary thesis.

One chapter of the book contains a description of what her childhood experience of gender was like, and it is more similar to mine than any other transsexual account i have ever read. It is fascinating to contrast Serano's account against the typical "woman trapped in a man's body" narrative most people are familiar with. (Consider, for example, Jan Morris's account as given in her famous transsexual autobiography Conundrum.)

For Serano, awareness of her femininity did not start with a sudden realization when she was young that she was "really a girl." Instead it percolated up from her subconscious, as through pores; dreaming that she was a girl, taking on a female persona while playing alone, seeing the rightness of it when looking in a mirror and seeing herself as female. All the while, throughout her childhood she did not really question the fact that other people perceived her as a boy.

This is what happens when you are young and your feelings lead one way while everyone around you is in a conspiracy to say or do something else. You don't learn to 'pretend' to go along with it. You internalize it so deeply that it permeates your conscious thought. The external world reaches in and rewrites your own thoughts so that even your own self is invisible.

Finding your own voice in the face of that is tremendously difficult. It takes a lifetime. It takes years of knowing what feels right and yet not being able to consciously or outwardly admit it. This state of dissonance can become one of the most painful things imaginable.

Serano uses the term "subconscious sex," the meaning of which is best captured in this sentence: "Perhaps the best way to describe how my subconscious sex feels to me is to say that it seems as if, on some level, my brain expects my body to be female" (p. 80).

My own experience is remarkably similar to this. Reading it in print, though, had an effect not unlike the long struggle it took to give voice to the cognitive dissonance of subconsciously knowing i'm female while trying to make it work somehow as a male. Transfolk face a parallel struggle in learning to discern our own voices from the words continually put into our mouths by the non-transgender mainstream, particularly by the media and its depictions of us.

Transfolk are vastly outnumbered by non-trans folk. Far more things are said about us by people who are not trans than are said by us about our own experiences. Consequently it is hard for us to even know what authentic transsexual narrative even sounds like.

In the chapter titled "Skirt Chasers: Why the Media Depicts the Trans Revolution in Lipstick and Heels," Serano did an excellent job outlining the way producers of media pieces about gallae hyper-focus on images of us putting on makeup, shopping for shoes, or obsessing over clothes. These images are sought out even when gallae resist being depicted in that way:

What always goes unseen are the great lengths to which producers will go to depict lurid and superficial scenes in which trans women get all dolled up in pretty clothes and cosmetics. Shawna Virago, a San Francisco trans activist, musician, and codirector of the TrannyFest film festival, has experienced several such incidents with local news producers. When Virago was organizing a forum to facilitate communication between police and the trans community, a newspaper reporter approached her and other transgender activists for an article. However, the paper was interested not in their politics but in their transitions: “They wanted each of us to include ‘before’ and ‘after’ pictures. This pissed me off, and I tried to explain to the writer that the before-and-after stuff had nothing to do with police abuse and other issues, like trans women and HIV, but he didn’t get it. So I was cut from the piece.” A few years later, someone from another paper contacted Virago and asked to photograph her “getting ready” to go out: “I told him I didn’t think having a picture of me rolling out of bed and hustling to catch [the bus] would make for a compelling photo. He said, ‘You know, getting pretty, putting on makeup.’ I refused, but they did get a trans woman who complied, and there she was, putting on mascara and lipstick and a pretty dress, none of which had anything to do with the article, which was purportedly about political and social challenges the trans community faced.”


The media only ever shows trans people, and gallae in particular, in very particular stylized ways, which have the effect of reducing us to a harmless caricature. This is true even when the subject is something as serious as the fantastically disproportionate number of transgender youth who wind up living on the streets. So it's no surprise that people who are not trans, even people who know someone who's trans... and even trans people ourselves, come to believe that this is what being transgender is all about.

The media has, until recently, forced gallae into taking on this voice by refusing to print or publish even our own accounts that differed from this narrative they've assigned to us. This cherry-picking has compounded the problem. Many gallae have felt compelled to cooperate, under the theory that at least some media exposure is better than none at all. Finally now, now, we are cultivating the ability to speak for ourselves authentically, with less risk of non-transgender editors slicing off those bits of our narrative that don't fit their preconceptions.

Just like the media, the medical community also tells us to shut up so they can speak for us.

Being buried under the misappropriation of who and what we are only makes it harder for us to find our own voice. It reduces us. Our images are not only misappropriated by the mainstream for its own amusement, but we are silenced so effectively that even we don't know who we really are.
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One of the most eye-opening books i have ever read is Who Wrote the Bible? by Richard Elliott Friedman. Even though i have long since lost my enthusiasm for biblical exegesis, the insights i gained from that book stick with me and still deeply inform my thought.

The most stunning thing about that book, i think, is its clear demonstration of just how much the writing of scripture reflects the political agenda of the person or people who wrote it. It's one of those things that seems natural and honest when you think about it: it can't help but be the case. Everything i write reflects my various views and agendas. The same is true for all of you, and everyone else out there. So why should ancient people have been any different?

The answer often given to that question is that the ancient people were writing under the influence of spirit, but think about that. Does spirit take over your body and mind and give you word-for-word dictation? Did the ancients have a better connection to spirit than we do today? Unless you're prepared to claim this (and in doing so you'd have to answer a lot of questions about the obvious redaction and editing of scripture), then you must concede that scripture is at least in part the product of the human mind. And as such, it can only reflect the views of the person who wrote it.

Many people have heard of the Graf-Wellhausen Documentary Hypothesis, but Friedman went beyond this to demonstrate, quite convincingly, what the various original documents tell us about the agendas of the people who wrote them. As an example, i posted an extended excerpt here. He paints a picture of conflicts between different factions in the priesthood and royalty, and conflicts between the center of power in Jerusalem and the countryside, culminating in a divided nation with different religious practices.

Generations later, these factional divisions were meaningless in the face of the conquest and scourging of Israel and the forced reunification of Israelite refugees with the people of Judah. Their scriptures were blended together into a single document to mark their reunification - the end result being a script which reads like a mosaic. Further redactions were made several hundred years later in the wake of the return from exile in Babylon.

A couple of weeks ago, i proposed this general hypothesis of meaning: "Images and text will lose their meaning over time, in part because meaning is anathema to the power paradigm." The fusing of the previously antagonistic scriptures of Israel and Judah into a single unifying text is only possible because much of the original meaning had been lost.

At least two or three generations passed between the original writing of J and E. Other theorists place the interval at 200 years. Either way, this is enough time for a lot of the political meaning of the texts to be washed over.

The collection of words that make up scripture though still bear meaning, even though much of it seems cryptic. People of later generations, examining these texts (which have also tended to be appropriated by people in power, but that will come in part two of this post), attempt to recreate the power these words had over their ancestors. It is these attempts which result in the vagaries of religious doctrine.
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A while back, someone on my friend's list linked to an essay about art as misappropriation. I don't think it was linked approvingly, but the concept has stuck in the back of my mind, something to digest.

Then not long ago i read about the iconic image of Che Guevara as now appears on tee-shirts and numerous other commercial products. I don't know as much as i should about Che, but i think i have already well expounded on my views that anyone who uses violence is no revolutionary at all but is a part of the system. Anyway, this bit stood out in my mind, a quote from Trisha Ziff, who has organized an exhibition on the Che icon.

"There is a theory that an image can only exist for a certain amount of time before capitalism appropriates it. But capitalism only wants to appropriate images if they retain some sense of danger."


Hmm, i have to back up a little. I call my views "meta-neo-Marxian." "Neo" because we have progressed quite a bit in the last 150 years, in understanding the sociology of oppression and the intricacies of economics, and "meta" because i am not a subscriber to a philosophy, but merely a critic whose views are inspired by the trajectory which Marx played a role in laying out.

I view our situation as less a matter of "capitalism vs. socialism" and more a matter of me-centered world-parsing vs. us-centered world-parsing. I take this view because (a) the same problems preceded capitalism and have also tended to plague socialist societies and (b) i believe a truly just and merciful society could function compassionately with almost any economic or political arrangement.

So let me re-write that quote into a version that more closely matches my current views:

"There is a theory that a subversive image can only exist for a certain amount of time before the power paradigm strips it of meaning and makes it a commodity."


For the political-socialist, the image of Che is a commodity in that it is a valuable emotional push-button; and for the political-capitalist, the image of Che is a commodity because it sells tee-shirts. Neither point of view is really interested in exploring the meaning of Che's life, words, and actions.

Now, for the principle i promised in the title of this post. To wit:

Images and text will lose their meaning over time, in part because meaning is anathema to the power paradigm.


The surest way to strip an image of meaning is to give it a dollar value or to use it as an emblem of demagoguery. But the principle works in other ways. Part of this is because each generation tends to create its own kinds of meaning, and so young people do not react in the same way to a creative work as earlier generations of people did.

I thought about this while reading recently about a Monet painting which was vandalized. Frankly, i found i could care less; some old painting who's time has come and gone was damaged. But i realize that the painting meant something to its creator; it meant something to the creator's contemporaries; and it means various things to various people today. Do those meanings resemble one another?

Who could do such a thing as vandalize a Monet? Someone to whom the work of art had little or no meaning. (Or, alternately, someone to whom the act of destruction meant more than the painting itself -- but... well, i have to reign in the scope of this somehow.)

But what is the meaning of a work of art? What is meaning? Without waxing too philosophical - i want to intentionally leave this a little fuzzy - i think of meaning as the reaction one has when contemplating something. But, additionally, the genuine meaning of a creative work is primarily that reaction which is intended to be provoked by the work's creator. I emphasized that because there are theories of criticism which argue the opposite - that meaning is supplied by the observer of a creative work. Such theories can, in my opinion, be demonstrated to be apologetics for the power paradigm.

One way to reduce the meaning of an object is to directly misappropriate it - to use the phrase or image to advance a different agenda and then to use your superior numbers or budget to simply drown out all incidence of the original usage. A radical movement of any import can expect to see this happen to their language, and as a result the dissenters of each generation are pretty much on their own. Another way to reduce the meaning of an object is to surround it with approved, dissent-sanitized replicas: the culture industry.

However, it is not just subversive meaning which is distrusted by the power paradigm - ultimately, it is all meaning that is unreliable. Meaning is capricious, meaning is unquantifiable, meaning is unmarketable and unprofitable. Even meaning which has nothing to do with politics can inspire someone to question the status quo. This includes faith. "Spirituality," as i mean it when i use it in my journal, is a process of misappropriation by which the words used by people of faith and conscience to describe their experience is sanitized of any politically radical content in ways that turn it into icon-worship. In other words, "spirituality" (as defined by me) is the attempt to destroy meaning and faith and replace it with a religion industry.
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Originally published at Monstrous Regiment. You can comment here or there.

A couple of months ago, before the New York Times made it fashionable, i wrote about J. Michael Bailey and his claims about autogynephilia. Now, as Marti points out, Bailey has written on ScientificBlogging about the criticism he’s undergone since his book about transsexualism came out four years ago.

In this blog post he summarizes the argument of his book as follows (emphasis added):

Canadian scientist Ray Blanchard conducted a number of studies in the 1980s and 1990s supporting his theory that there are two, and only two, distinct kinds of males who decide to become women.

Members of one type are best conceived (before they become women) as very feminine homosexual males. They have been extremely and recognizably feminine since early in life. They are exclusively, strongly, and unambiguously sexually attracted to men.

… Members of [the second] type are not overtly feminine (at least prior to taking steps to become women), and they are not primarily sexually attracted to men. Rather, they are sexually aroused by the idea of becoming and being women. Members of this subtype, whom Blanchard has called both “nonhomosexual” and “autogynephilic” male-to-female transsexuals, are best conceived as a type of heterosexual male. In their unusual heterosexuality, their primary erotic target, or sex object, is not an actual, external woman, but rather, a woman that is fantasized, and ultimately created inside the self. That is, the primary sexual orientation of autogynephilic males is toward themselves as women.

…Although it is possible that another kind of male-to-female transsexual exists, no good evidence exists that this is the case.

He writes to say that some gallae have contacted him thanking him for helping to clarify what it is that they experience. So, there is no doubt that what he’s describing is true for at least some gallae.

But, no good evidence of there being other kinds of gallae? Except, perhaps, for the objection of many countless gallae who do not easily fit either description. But let’s not forget that Bailey is well-known in some circles for his prior claim that, despite the protestations and first-hand accounts of thousands, bisexual men do not exist.

He knows this how? Through the magic of watching what your privates do when you are asked to look at various kinds of pornography. That’s right, despite what you may think about the many dimensions of your life which inform your sexuality — your emotional connections with other people, your desires for relationships, your plans, your dreams, even your reactions to scents and textures — all of that means nothing compared to what makes your privates twitch when you look at naughty pictures.

While he claims that he only wants to promote support for transsexual people, at the same time he argues that we are liars:

[A]mong apparently autogynephilic males, those who denied their autogynephilia scored high on a psychometric test developed to detect the tendency to respond in socially desirable ways. Thus, among the transgendered, denial of autogynephilia is apparently related to the desire to give a good impression. Both of these studies suggest that denial of autogynephilia should not be taken at face value.

In other words, “Shut up, i’m speaking up for you.” Our accounts are not to be trusted.

As Joan Roughgarden wrote in her reply,

The dispute and acrimony will not end until transgendered people are permitted to voice their own narratives without being filtered through the lens of psychologists. Transgender narratives must be honored as primary data, first class evidence, and not subject to tampering, manipulation or subversion. Transgendered people cannot concede the meaning and definition of their lives to medical authority.

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Originally published at Monstrous Regiment. You can comment here or there.

“There’s Something About Miriam” is old news, but as Marti pointed out, it will be broadcast in the US this fall on Fox, making it new news once again.

But here, i will spoil the whole surprise for you and post the transgender money shot which is the climax of the whole show.

I avoided watching this until i knew i was ready. But… it still hurt.

You know what one of the most painful aspects of my life is? It is the fact that i can’t go about my business like an ordinary person and have my life change in the blink of an eye because i bump into a man or woman who finds me attractive. No. I have to have a conversation like this one when that happens. And you can imagine how it almost always turns out. (Although, to be fair, when it happens i don’t usually have a reality-TV host standing beside me trying to pimp me out with an additional £10,000.)

This is one of the most private, stingy humiliations i have to deal with. It’s not easy for the other person, either. And there it is, on goddamn television, appropriated by Sky One and now Fox for their big bucks. I couldn’t have felt more exposed and vulnerable by watching a clip if it was me there, standing naked.

Quite a few have been heaping scorn upon Miriam for going along with this, though i am not going to join that chorus. I’m disappointed that any galla would go along with this, but i have learned never to underestimate the power of internalized transphobia.  Or the offer of money and the closest thing to “tolerance” that i guess we can expect.

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The past few days i've been watching a controversy in the trans and feminist blogosphere about a movie called "The Gendercator."

Read more... )

It's unfair to jump to conclusions about a film without seeing it, so what follows carries a caveat: it is a reaction to what has been written about the film which may be shown to be moot, incorrect, or off the mark by the film itself.

Does anyone think there's anything strange about transsexuality being portrayed as a tool of reactionary Christianity? I mean, take a peek behind the cut to see how reactionary Christians are portraying transsexuality right this minute:

Read more... )

Conservatives think our proper place is not in the world, trying to figure out how to play the hand we're dealt, but "howling" in a padded cell, straitjacketed and dosed with thorazine for our whole lives.

These people are in a very literal way out to get me.

And yet this director, Catherine Crouch, like me a member of the queer feminist community, makes a film in which she directly insinuates that transsexual treatment is indistinguishable from patriarchal gender normativity. She comments:

Things are getting very strange for women these days. More and more often we see young heterosexual women carving their bodies into porno Barbie dolls and lesbian women altering themselves into transmen. Our distorted cultural norms are making women feel compelled to use medical advances to change themselves, instead of working to change the world. This is one story, showing one possible scary future. I am hopeful that this story will foster discussion about female body modification and medical ethics.


Maybe this comes from a place of concern that hormones and surgery might not be the best thing for me. I have my own doubts in this regard, and have a conversation with myself every day of my life about this.

But does this statement reflect any genuine concern about what is best for me? Is there any indication that the director is willing to admit or even consider that maybe for some of us, being androgynous or "just doing our own thing" is not going to cut it? That it is not quite the same thing as having a boob job? We can talk all we like about feminist utopias where gender has been abolished but that is not the world we live in.

Furthermore, does this statement reflect any acknowledgment of our experience as transfolk, as recipients of horrific ongoing discrimination? It is irresponsible to blend in transsexual issues with misogynistic beauty standards and those who take advantage of it for profit. There are similar forces and patterns at work, but these are not the same issue.

Her idea for transfolk is that we should eschew medical treatment and "work to change the world." That's great. What in the holy hell does she think we've been doing? The image of transsexuals as ex-GI-June-Cleaver-wannabees is a little out of date. In between taking hormones, many of us have been actively railing against oppression. She thinks we're part of the patriarchal status quo. The same status quo who equates us with caricature 6-foot-5 drag queens in 6" heels and howling asylum inmates.

Thanks. Thanks a lot.

Okay, done howling now. Time for my thorazine.
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A conservative beat a socialist in the election in France, and many are using this as an opportunity to declare socialism dead in Europe.

The reality is much more complex than that. The last hurrah of state socialism notwithstanding, what is actually happening is a revolution within the revolution, which is precisely as it needs to be.

It's fair to say that a century of experiments have demonstrated that top-down, state-imposed socialism doesn't work. Economies and societies are too complex to be run from the top. Bureaucracies are too slow, too entrenched, to react to changing conditions. And we have seen, to our great disappointment, that there is no edifice we can establish as one generation's solution that cannot be undermined by unscrupulous cronyism and mutate into the next generation's problem.

But, at the heart of the problem is this: it is just not feasible in the long run to achieve the central goal of socialism within the state aparatus. There are some things, like accountability for wrongdoers, which will probably always require government. But the heart of socialism -- unraveling the web of control so we can be free -- is only hindered thereby.

Karl Marx and Friedrich Engels, writing in the middle and late nineteenth century, envisioned the global scheme of exploitation inevitably hitting a kind of rock bottom, causing ire among the working class to conflate to the point of violent revolution. They could not have foreseen the effects of technology between then and now; the effectiveness of advertising and television in numbing people to the inhumanly cannibalistic nature of the global economy -- nor could they have foreseen the widespread consciousness-raising potential of the internet.

They also imagined that the state could be transformed into an instrument for carrying out the will of the people. They were no doubt influenced by the grandiosity of American and French Revolutionary language -- the proclamation of "we the people" as the granter of governmental authority "by consent of the governed" (implying that consent can be withdrawn) instead of brute force and coersion and fear. That's a wonderful theory but it never seems to work out in reality.

At the other end of it, it is not enough to brew up a new critical rhetoric, bash a wine bottle on the bow and send it off into the world. Time has demonstrated that there is no rhetoric which cannot be misappropriated. Revolutions of this sort really only have to be waited out. A while back i proposed the (admittedly not very catchy) term "hypostatic reverie" to refer to the conceptual apathy by which people, over generational time scales, forget the 'revolutionary' character of new institutions and ideologies, and accept them as part of the landscape. And with this apathy comes the opportunity for misappropriation.

In terms of class struggles, it's been a very educational 140 years. We've learned, foremost, that we can't take the easy way out when unraveling the control paradigm. There is no single route to undoing the ideological and institutional hold of sexism, classism, and racism on society. It can't be imposed from the top; it can't be achieved in an adversarial-style uprising. If it were that easy, it could have been accomplished by now. The control paradigm operates on every level; it is embedded in our brains, implanted during childhood and, figuratively if not literally, beaten into us by parents, peers, and adults in authority.

Views become entrenched, even within the revolution; and "the revolution" has become such a fixture that it now is itself an edifice against which people of conscience must struggle. "The revolution" has been misappropriated so that it now is just another cog in the great machine of violence that chews people up. It is only with hindsight that we can comprehend that the monster often takes the guise of two factions, espousing different ideology, who grind away at each other, with children and women in the crossfire paying the highest price.

The Sixth Declaration of the Lacandon Jungle reflects this shift in awareness -- acknowledgment of the need for those with socialist consciousness to greatly re-think the unraveling of control and domination.

The revolution has been changing. It has taken the form of an emphasis on individual efficacy, a fondness for observing with Gandhi that we should "be the change," to recognize one's own place in the pyramid of control and understand that actions carry repercussions.

For example, once you become aware of "fair trade" products, you are directly confronted with the reality of exploitation overseas. You are also confronted with the understanding that if you continue to buy products you can no longer pretend you don't know were made in sweatshops or by slaves, that no matter what political positions you espouse you are a cog in the machine.

It may be, because of limited income or family size, that you have no choice but to continue to buy the cheaper product -- which in itself bears interesting insights about the way the game works, the way we are all swept along with the tide and, scrabbling for our own individual survival, rarely take the time and energy to see the greater pattern.

That fair trade products cost more reflects to a degree the economies of scale, but also the reality that what makes many products affordable is wage exploitation, low labor and safety standards, and even slavery. The difference represents the degree to which it is profitable to have a global empire which does not care about oppression.

But this is the level on which the revolution needs to happen -- not "us versus them" antagonism, but waves of lightbulbs lighting up in individuals on every level of the pyramid. If you're reading this, you're probably pretty close to the top of the pyramid, like me. The closer we are to the top, the more effect our individual choices can have as they propagate down the line. As each of us makes more and more humane choices, this change progresses until it becomes a building wave, a ripple which sweeps across the world.
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Amanda Marcotte of Pandagon, feminist blogger, has chosen to resign from the presidential campaign of John Edwards after being embattled (by certain right-wing zealots) for several weeks. The final straw, in the eyes of the Catholic League's head, Bill Donohue, was this comment in her review of the movie Children of Men:

The Christian version of the virgin birth is generally interpreted as super-patriarchal, where god is viewed as so powerful he can impregnate without befouling himself by touching a woman, and women are nothing but vessels.

This apparently qualifies as a "vulgar" and "intolerant" anti-Christian comment. To say that critique is intolerant shows an utter misunderstanding of the concept of intolerance, which seems, from the perspective of people like Bill Donohue, to mean, "any act or utterance which offends our oh-so-delicate sensibilities."

The right has tirelessly labored to misappropriate the idea of intolerance, so that people think it refers not to efforts to counter structural power imbalance in our society, but to improve the niceness of language. By focusing on language they hope to take the focus off of actual oppression.

There is absolutely no measure whatsoever by which Christians are oppressed in this country. Keep that in mind. Christians run this country; they utterly dominate the public discourse, the cultural institutions, the laws, the mores, the standards of decency. Isolated instances of anti-Christian discrimination (which do occur) do not constitute institutional or state-sponsored oppression, exploitation, or disenfranchisement of Christians.

So, in order to accomplish the seemingly impossible task of misappropriating the idea of intolerance, they have to make people think that saying mean things (or things you claim are mean) in your blog is the equivalent of a pogrom, or a gay-bashing, or a clinic-bombing.  It is insulting to anyone who is working to end real intolerance in the face of violence and numerous other obstacles.

All that said, i also happen to think Amanda is absolutely right about the Christian idea of the virgin birth.

The gospels' authors must have felt some pressure to distance themselves from Pagans, who depicted divine impregnation of mortal women in a sexual way. In fact, Mary herself had to have been immaculately conceived, so that she would not bear the stain of Adam's sin -- because, apparently, sex itself befouls and stains your soul.

Amanda's comment about women only being a vessel applies too, because this was a widely-held belief about pregnancy in the ancient world: women were only a vessel through which men brought children into existence. This desire to cut women out of the picture is the very essence of misogyny. This view is most obvious in the account of the Gospel of John, whose author claimed that Jesus existed long before Mary did, making Mary's womb nothing more than a tunnel through which he passed into this world.
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The other day i posted this link to a video of the Mooninite guys refusing to talk to the press about anything other than haircuts. There's a lot to learn from this, not from what they're saying but from what this event represents on several levels.

The first is the nature of advertising in the future. The 'paid spot' in media presentations -- commercials during TV programs and ads in magazines and newspapers and on billboards, and that sort of thing -- is becoming a thing of the past. They'll still be there in abundance, of course, but mostly as reinforcement more than anything else. The thing is, they just aren't effective anymore; we go around them on TiVo and simply ignore them when we can.

What advertisers want now is to embed their message into the viral information networks of the internet, into the culture itself, so that you cannot have a cultural experience or interchange without receiving a paid advertising message. They've already been doing product placements in movies, TV shows, and video games for some time now. And now, i've seen the future and the future is 'guerrila marketing.'

See, for advertisers the holy grail is getting their product widely seen as 'cool.'

In fact, i've been pondering the nature of what it means for a person or thing to be 'cool' or 'not cool' for quite a while, and i keep coming back to the relationship between popular culture and advertising. Most attempts to brand a product as cool are just darn predictable: a cartoon character with sunglasses and a leather jacket telling kids to buy a particular brand of cereal, that sort of thing. Every now and then, though, an advertiser hits paydirt and product awareness takes on a life of its own. When this happens, the promoter just has to sit back and watch consumers gleefully do their product placement for them. If people are posting in Myspace and YouTube and Livejournal about how great and cool they think a product is, their work is done.

By that measure, the success of this Mooninite thing in Boston is immeasurable.

The other thing i saw in that video was the first stirrings of a new form of dissent against the news media. I don't know if it was a genuine display of youthful rebellion or whether it was a contrived attempt to simulate youth rebellion (i kinda lean towards the latter) but either way i sense a large and growing current of discontent and distrust among young people for the mass news media.

And who can frickin' blame them? The news media are polished, professional manipulators and liars. Anyone who has ever been to an event -- especially a protest -- and then watched news coverage of the event afterwards knows what i mean. They've been spouting crap for years, and in the name of "getting both sides of a story" have been lending credence to discredited ideas that otherwise would have died out years ago, like Intelligent Design and global warming doubt.  The news media rely on the fiction that they are without agenda, when a critical examination of their viewpoint shows a distinct tendency to reinforce the corporatist, classist, white supremacist agenda.

The thing is, nothing happens very far from a blog these days. People who witness or experience events firsthand are writing in their blogs about it -- or, even more impressively, posting cellphone video of it -- and this news spreads virally. Speaking from direct experience brings a dimension of meaning lost in accounts by the news media. The Mooninite guys didn't need sympathetic coverage by the news media (you can clearly hear threats from reporters of unfavorable coverage if they didn't take the conference 'more seriously,' by which they meant, going along with the reporters' script) because they knew every kid with a Myspace was going to post a link to the video -- and that THIS form of information exchange is what really counts these days.

There is always a place for objective coverage, but we are finally balancing this out with a much needed infusion of subjectivity. (For the record, i wouldn't want only subjective news to spread either, but we've really needed this.)
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Two different news items which on the surface couldn't seem less connected, and yet i saw a similar thing going on in both.

A restaurant trade group says it is insulted by an insurance company's planned Super Bowl ad that stars Kevin Federline as a fast-food worker. Nationwide Mutual Insurance Co.'s 30-second spot shows Federline... performing in a glitzy music video. However, the punch line is that he's daydreaming — while cooking french fries at a fast-food joint.

The ad amounts to a "strong and direct insult to the 12.8 million Americans who work in the restaurant industry," wrote National Restaurant Association President and Chief Executive Steven Anderson in a letter to Nationwide CEO Jerry Jurgensen.

The commercial "would give the impression that working in a restaurant is demeaning and unpleasant," Anderson wrote.

from Restaurant group objects to K-Fed ad

::struggles to stop laughing long enough to write again::

Where to start, where to start... okay, first of all, the ad won't give people the impression that working in a restaurant is demeaning and unpleasant. Working in a restaurant gives you the impression that it is demeaning and unpleasant. Oh, you mean the execs enjoy it just fine? Some of them probably even "got their hands dirty" flipping burgers during a summer or two, in between terms at their Ivy League college. They have fond memories from that wild and carefree time of their life.

But here's what gets me about the first part of their statement. People who work in restaurants aren't going to be offended by the ad. THEY'RE they ones who are offended. But they'll expose themselves as the whiny self-righteous jerks they are if they don't make it sound like they're sticking up for the poor exploited underdogs (you know, the underdogs they employ whom they're hoping won't get a minimum wage boost this year).

And now the second story, considerably less funny.

"Hounddog" is the story of Lewellen, a girl played by 12-year-old Dakota Fanning, who is growing up in the 1960s South. ...

The disturbing scene lasts a few minutes but is not graphic. There is no nudity, the scene is very darkly lit and only Fanning's face and hand are shown. Kampmeier said it took her a decade to get the film made, largely because of the rape scene, but cutting it was a compromise she was unwilling to make.

"This issue is so silenced in our society. There are a lot of women who are alone with this story," she said.

... Ted Baehr, chairman of the Christian Film and Television Commission and publisher of the Web site movieguide.org, claims "Hounddog" breaks federal child-pornography law. He said the law covers material that "appears" to show minors engaging in sexually explicit conduct. "Even if they're not actually performing the explicit act, we are dealing with a legal issue here," he said.

Baehr said Fanning is being exploited in the film, and that it should be considered an outrage. "Children at 12 do not have the ability to make the types of decisions that we're talking about here," he said. "If we're offended by some comedian's racial slur, why aren't we offended by somebody taking advantage of a 12-year-old child?"

from Film's child rape scene causes stir

::not laughing this time::

Do you see the parallels here? Again, we have a group claiming to speak on behalf of the oppressed -- in this case, survivors of childhood rape -- when they are really only attempting to further their own agenda. In fact, they are claiming to speak up on behalf of abuse survivors while at the same time trying to silence them. How perverse is that?

Secondly, last time i saw any legal definition of pornography, it involved the word "prurient." I don't find rape scenes to have anything to do with prurience -- do you?

Lastly, it's obvious that Baehr did not even ask Dakota Fanning for her thoughts on whether or not she was uncomfortable about the whole thing. Here's what she had to say about it:

Fanning said she and Kampmeier talked for months before the film was shot and spent a day painting pottery together and discussing the story.

"It's not really happening," Fanning said of a rape. "It's a movie, and it's called acting. I'm not going through anything. Cody and Isabelle aren't going through anything, their characters are.

"And for me, when it's done it's done," she said. "I don't even think about it anymore."
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I guess it's kind of silly that i get frustrated with young goths because they don't respect their elders.  We were wearing black lipstick and slamdancing to Bauhaus when they were still watching Sesame Street and now they sport around in $300 vinyl boots and $200 corsets snubbing us and laughing at us.  But then, it is a youthful form of rebellion, right?  Well, except for the fashion industry and professional modelling and high-profile porn outlets, i guess.

They stole my freakiness from me.  You know why ripped fishnets became a staple of goth fashion?  Because in the old days (before "goth" was even goth) we didn't have the money to replace them when they ripped.  Or, we lived in the Bible Belt where you could only buy fishnets in October.  Once they ripped, that was that until next Halloween.  Or both.

A lot of the older goths i know are queer and i half-suspect that the mainstreaming of goth was, to some degree, also the misappropriation by the dominant culture of yet another form of cultural dissent from moneyless queers.  Think i'm off my rocker?  Look at what the word "punk" meant before 1976.  Look at where "voguing" came from before Madonna made millions off of it.  Look it up.

(Ha, i almost talk as if i was penniless myself.  I was never destitute.)

I'm worried for queer youth and young people of color, and particularly young queer people of color, but i know they'll be able to create their own new forms of cultural dissent.  They're smarter than you think.  It won't look like goth and it won't look like punk and it will be promptly put down by the self-appointed guardians of cultural good-taste, but that's okay because it's not intended for them anyway.  Then when they're my age they'll vary between frustration that wealthy straight kids stole their clothing out from under them and large record companies snatched up their most prominent artists, and their memories, and the thought that, okay now, it's time to come up with something else.
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Among the transphobic stuff from a couple of weeks ago, one thing that sticks in my memory is the accusation that transsexuals (male to female they mean of course, because FTMs are invisible) are deliberately misappropriating femininity, diluting it so that it has no real meaning anymore.

I want to tackle this head-on because i can see how someone with feminist sensibilities would be concerned about this. I've been to enough drag shows to see how this concern would develop. Myths and stories concern me too: why, for exampe, in Hindu mythology the most beautiful woman who ever breathed is a man in disguise, and why did Dustin Hoffman's Tootsie become a better advocate for women's rights than any of the women around her?

Perhaps what underlies this portrayal of transgenderism is a largely unconscious attitude that if men did take on 'women's work' -- whether that be seducing men or standing up for women's rights -- that they would do it better. But fiction is not real-life, and the real-life attitude of most men towards transwomen is vastly different.  My belief is that this attitude is inserted by the dominant culture into media portrayals of transgenderism.

It seems to me that if transsexualism were a patriarchal plot to undermine femininity, then transwomen would be highly prized, be celebrated in the media, have more privilege than women, and be more highly valued than women as sex partners and spouses.

The charge of misappropriation only works if transwomen are "really men" who retain men's privilege in some form even after finding ways to cover the expense and cope with the pain of transition. It presumes that there are no parallels whatsoever between what women experience and what transwomen experience. It presumes that the men who line up for "undermining women duty" are rewarded or celebrated in some way. None of this holds up to any actual scrutiny:

I can offer an alternate hypothesis for the positive portrayal of transwomen in myths, stories, and media: it is indeed misappropriation -- of transgenderism. The dominant culture dips into the expression and experience of the oppressed transgender culture and borrows what it likes, treats the entire subject as humorous, inserts what it thinks is important about being transgendered without any concern for our reality, and overall conveys the impression that transgenderism is merely the wearing of a disguise. This is why every portrayal of transwomen in the dominant culture's media focuses overmuch on "applying makeup and strutting around in frilly dresses". To paraphrase Kate Bornstein, if i thought that's all there was to being transgendered, i'd be suspicious too.

ETA: after consideration, i've decided to crosspost this to [community profile] feminist.
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How is it that programs designed to address racial disparity, like court-mandated integration of public schools and affirmative action, have come under fire as perpetuating disparity and racial stereotypes?

Put simply, the opponents of these programs have misappropriated the language of dissent. Misappropriation is easy: a lie is stated, and because it appeals to the pro-racist, pro-sexist "common sense," it catches like fire and takes on a life of its own. This tactic works because the defenders of the status quo far outnumber activists and so can easily wear them down in a basic numbers game.

In the bizarro world of misappropriation of dissenting language, activists can then even be blamed for perpetuating the same stereotypes they are working against.

In the case of affirmative action the charge goes like this: "Activists want a color-blind society, right? So doesn't affirmative action actually make it harder for us to be color-blind and therefore perpetuate racial stereotypes by requiring employers and schools to take race into account?"

This is a classic straw-man, but this argument has been taking hold, and in fact drives the opponents of racial consideration who today argued before the US Supreme Court that any sort of consideration of race in assigning students to schools in a given district is un-constitutional.

Part of the problem comes from the phrase "color-blind society" and the assumptions behind this. What the heck does this mean? Popular parlance describes it as a society where people are judged on their own merits and abilities regardless of their race and gender and income background.

But this is problematic for many, many reasons. It presumes that the ideal non-sexist, non-racist society has some sort of "level playing field." On a "level playing field," it 'wouldn't matter' whether the person performing a job was male or female, black or white, Christian or otherwise.

It does matter, though, and it always will. Each of us brings something unique and special to any situation. The solution one person proposes will differ from the solution another person proposes because they are different people with different ways of thinking and different sets of experiences. And they shouldn't be homogenous. Diversity is to our advantage.

What defenders of the status quo want instead is for women admitted to act just like men, and for black people admitted to act just like white people. If a black woman competes with a white man on the "level playing field," who sets the standards by which their performance will be judged? Of the two, who was more likely better prepared to give the performance more likely to win the approval of the people who now sit at the top [PDF; see in particular page 14 of 39, about racial bias in the development of standardized tests] -- considering the possible affects of childhood nutritional deprivation, the trauma of discrimination and its subsequent disadvantages, and other forms of conditioning? The different solutions or strategies more likely to arise from the perspective of being able to bear children or from being a stranger in one's own society are not truly welcome.

And yet it can be said, and repeated, and believed by many, that activists who advocate affirmative action are the ones responsible for perpetuating racial disparity -- and, to boot, they are discriminatory themselves, for promoting so-called "reverse racism."

Never mind that even after several decades of affirmative action in the United States, there is still disturbing racial disparity in income and education level. If anything, this tells us that efforts to give people of color better access to educational and workplace environments need to be intensified, not dropped altogether.

I can't say with absolute certainty that affirmative action is the best possible solution. But what else do we have to work with? Wishing the problem away doesn't work.

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