(no subject)

[sophiaserpentia]

Many thanks to lady_babalon for catching this article and refering it to me. It is very edifying to see that I am not the only one who noticed the extreme anti-gay hatemongering in Mel Gibson's Passion of the Christ.

With The Passion, Gibson... has produced a show that cunningly deploys fear of gays to reassure conservative Christians of their own righteousness. The script's anti-Semitic messages have been detailed by writers such as Christopher Hitchens, who recently argued in Slate that The Passion relies for its effect on a fascistic spectacle whose components include "a hatred of silky and effeminate Jews."

The most effeminate character in Gibson’s gospel, however, is satanic, not Semitic. The devil, who plays no role in the biblical Passion narratives, appears frequently in The Passion. The character is played by a woman... [who] is costumed and photographed to look like an effeminate man. Given Gibson’s past remarks about gay people, and his violent treatment of gay characters in the film Braveheart -- and given that, throughout history, Satan has almost invariably been depicted as male... -- it's reasonable to assume that this conflation of evil and effeminacy is intentional. (Taking a cue from Jesus Christ Superstar, Gibson underscores the point by presenting King Herod as a plump, soft man in Cleopatra eye makeup, attended by a queeny courtier.)

... James Baldwin’s observations on [The Exorcist], from a 1975 essay called "The Devil Finds Work," apply equally to Gibson’s movie: "The mindless and hysterical banality of the evil presented in The Exorcist is the most terrifying thing about the film.... Americans should certainly know more about evil than that; if they pretend otherwise, they are lying, and any black man, and not only blacks ... can call them on this lie; he who has been treated as the devil recognizes the devil when they meet."

[emphasis in bold added]