sophiaserpentia: (Default)
sophiaserpentia ([personal profile] sophiaserpentia) wrote2009-01-08 11:47 am

cultural appropriation, part googleplex of infinity

For me the question of cultural appropriation, especially when it comes to, "Where does the inter-cultural exchange of ideas stop and misappropriation begin?", is endlessly fascinating. The thing is, there isn't a monolithic answer to these questions, and we can't come up with an easy answer or template and just tack that on whenever the question arises.

How such an exchange, or misappropriation, occurs has to be seen in the historical context of how it came to be. As a jumping-off point, there's this interesting video of Jennifer 8 Lee talking about Chinese restaurants in America (seen in [livejournal.com profile] debunkingwhite):



From the point of view of a merchant, trade between nations and cultures is a good thing -- because it means more potential buyers, more potential profit, more potential opportunities. So it may have seemed to restaurant owners or merchants in Chinatown when white folk started coming in greater and greater numbers to see what food or decorations they could buy that were unlike anything else they or their neighbors had.

And so i think the notion of cultural misappropriation feels to white people like a glass of cold water thrown in the face when a friend accuses them of it because they have a statue of Buddha sitting on their fireplace mantle. Well, hey, they might reply, i bought it in Chinatown from a woman who seemed happy to sell it to me; if *she* doesn't have a problem with it, why should *you*? Or, taking it a step further, doesn't it foster understanding if the people of different cultures who live side-by-side sell things to one another? It makes them less alien, and therefore less scary... doesn't it?

And on their own these are perfectly valid points, IF and only if you exclude the macropatterns of racism in our society. On the micro-level, it's not necessarily a huge deal; where it becomes a problem is when it's enough people in the privileged class who partake of the "exotic" that it starts to drown out the voices and living cultures of the minority.

What i've seen in the last couple of years is that awareness is starting to spread among white people that there's this thing called "cultural misappropriation" and if you're not conscientious you could be doing it too, and ZOMG i don't want to be an oppressor so how can i make sure i am not a cultural misappropriator?

It's gotten to where i've seen people say they're only comfortable with seeing white people exploring the religious traditions of their ancestors. Anything else is too close to cultural misappropriation. So, what, someone has to get a mitochondrial DNA test before they know what religions they are allowed to explore? And isn't this in its own way a restriction on people of color, in that it prevents them from potentially sharing their faith or beliefs with white people?

And yet, i don't mean to deny that cultural appropriation of religious ideas and imagery is very real, and very detrimental. Where it concerns me most is (1) when cultural motifs are reduced to "entertainment value" or "diversion" to the extent that their original meaning is obscured; when this happens, people of color can no longer express their own ideas or criticisms using those motifs without white people hearing "entertainment" when they encounter it; (2) when cultural motifs are stripped of any political implications, especially those which are critical or subversive towards the dominant paradigms; and (3) when people of privilege are turning a profit by stripping the meaning away from cultural motifs. The motif in question becomes an element of the larger culture, and the meaning the larger culture attaches to it drowns out the original meaning attached to it by the smaller culture.

In short, it is a part of the greater pattern of commodification and of misappropriating the language of dissent, the process by which meaningful utterances which pose any threat of causing people to question the authoritarian ideology are rendered harmless.

So, the question becomes, how can people of different cultures share ideas, motifs, food, relics, without them losing their meaning in the context of the original culture? The only way, ultimately, to share ideas in a truly free way is in a world free of hegemonic dominance... which is a tragedy, because humans have so much to share with one another.

[identity profile] alobar.livejournal.com 2009-01-09 12:44 am (UTC)(link)
I don't fuss or fret about cultural misapropriation.

Back in the late 1960's I used to get annoyed at the plastic day-trippers and weekend hippies who attempted to look cool by copying the fashion of hippies who had vastly different social values than they did.

When I moved to NOLA, I got offended by seeing US soldiets wearing a peace symbol.

But I have come to realize that there is NO pure current of tradition.

In pr-columbian America, there was a vast trading network of religious tools. Little stone mushrooms were used as coins which could be later redeemed for magic mushrooms as they became available. Walrus tusks from Alaska have been found in Mexico. Fragments of a polar bear skin were found in Tierra del Fuego.

Locally, I know Christians who maintain an altar to Ganesh. Likewise voodoo trmples also have Ganehs amongst the loa. I have heard of Krishnas and Voodoists who create ceremonies together.

I have come upon people belonging to very narrow-minded covens whose members were not permitted to attend pagan festivals because they might be exposed to practices not in their tradition.

Soldiers fight imperials wars who wear a peace symbol does not negatively impact what the symbol means to me. Likewise, plastic hippies never diluted or changed my ability to follow my ideals. Some of the plastic hippies began to follow Eastern spiritual paths and dropped out of school and their economic safety net.

Once in a great while, some Hindu gets upset at my Hindu statuary on my work table. I point to Ganesh and say (innocently) "but I thought that Ganesh was supposed to be visibly displayed in ALL temples, no matter what the main deity of the temple actually was." That usually shuts them up.

Once a child (probably about 7) who seemed somewhat retarded or autistic came running up to my table. His parents (very well dressed middle class looking Southerners) followed their child to make sure he did not cause problems. The kid yells out "Hi `Nesh!" and bows to my large seated Ganesh statue.

His father began to apologize for his child's behavior

I turned to the child and asked "Where do you know `Nesh from?" The kid screwed up his face and groped for words. He smiled, and said "From Before!" with big wide innocent smiling eyes.

The parents looked bewildered. I smiled at them and told them that some children had past life memories which they often phrased as being "from before".

The mother gasped. "You mean he's not just crazy?"

I told her that I never said that. But that some people are able to tap into things they could not have learned in this lifetime.

So, to me, the pluses of cultural appropriation far outweight the politically correct purist viewpoint. Information exchange, even if it is tainted by mercantilism and cultural insensitity is, imo, a very good thing.